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FILM, FORANDRING OG FLOW – OG GILLES DELEUZE
POLITOLOGISKE
STUDIER - ÅRG. 4 NR. 4 - FILM OG POLITIK -OKTOBER 2001
Af Andreas Wester Hansen
Communication
is increasingly visual. This article argues that in contemporary
societies, we need analytical approaches, which will help us
understand how politics is being challenged when discourses mutate
at an ever-faster rate. Gilles Deleuze offers the theoretical tools
for such an analysis. The article takes as its starting point
Deleuze’s book ‘Cinema 2: the time-image’, and shows how his
analysis of post-war cinema links up with themes in his more
explicitly political writings with Felix Guattari. Furthermore, the
writings of Deleuze and Guattari points to a new political ethics
centred around the concept of ‘deterritorialisation’. At the
same time, Deleuze and Guattari help us understand that
deterritorialisations will always bring about new
reterritorialisations, and thus provide us with the analytical tools
for understanding new bases of power in our post-Panoptic societies.
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© 2001 | Copyright Tusch Design | Institut for Statskundskab ved Københavns Universitet |
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